Wednesday February 2nd, 2005 through Friday February 25th, 2005 We like our stories to have beginnings, middles, and ends—usually in that order. Out here in the real world all we ever get is middle. We come in long after it all got started and do...

November 30th through Friday, January 28th, 2005 Smith works in what she describes as photo-based acrylic lifts, a meticulous process that produces work that is seductive, surreal and deserves to be seen in person to be fully appreciated. “The multi-step process begins with imagery capture...

November 2nd, 2004, thru November 26th, 2004 The things we remember, the things we kind of remember and the things that we would like to be able to forget but can’t. In Jennifer Stady’s mind the visual world is a curious thing. On the one...

August 4th, 2004 thru August 27th, 2004 The artist uses a unique process where change gives birth to vivid color, highlighting motion on film. All work is done "in camera" using multiple exposures. This process captures the energy of movement while being grounded in reality....

July 1st, 2004, thru July 30th, 2004 A collection of photos taken from various tilted angles using a swinglens panoramic camera. The shots range from slightly askew to totally vertical, which often produces unanticipated results.  

June 3rd, 2004 thru June 25th, 2004 Liz's work straddles the ever shrinking line between craft and technology. Under the rich painterly surfaces lies images that have been captured and manipulated digitally to hone their focus and impact.  

May 5th, 2004 thru May 28th, 2004 Jeff divides his work into two facets of this artistic vision; his abstract, which show both organic elements and post productions enhancements, and his diptychs, which tell a story with two interrelated images.  

April 1, 2004 thru April 30th, 2006 Photographs by the members of Group 669: Photo Art  

March 3, 2004 thru March 26th, 2004 Photographs by Earth Oliver

February 4, 2006 thru February 27, 2006 Photographs of the Dakota Landscape