Inkjet printing adhering to archival and limited edition standards.

Top of the line Epson inket printers. We use the latest in technology inkjet printers using archival multicolor inks which produce the widest possible range available.

We offer a wide range of matte and coated papers and canvas in our photo and fine art categories. The papers range in weight, white point and texture to off the best solution for your type of image. All our fine art papers are tested and rated archival.

Pigment based archival inks.

The ideal is 300dpi at the size being printed. With this said, there are many variables that determine whether a file is “good” enough. We recommend discussing with us any questions regarding this.

We recommend a .tif file. We also accept most common file types such as jpgs.

Photo papers may not be rated archival and they tend to be lighter weight. With that said, they are rated to last many many years. Fine art paper have been tested and rated archival, tend to be heavyweight. Fine art papers and canvas typically have ratings of 35+ years.

Photo papers are rated to last 15+ years. Fine art papers and canvas are rated 35+ years. Ultimately, the bigger factor will be storage and environment. For example, a print not behind glass or in direct sunlight even if behind glass, will age quicker than not.

We treat each project as unique. Quantity and reprint discounts are listed on our price list. Volume and other discounts may be available and applicable so we encourage inquiries on your particular project and need.

Color profiles are a set of instructions embedded into a file that provide important information about the file. This information is part of the process of color management which produces predictable results from step to step in the process.

Computer or phone screens are optimized for viewing text. When viewing photos, they are usually not accurate. On top of this, monitors and phone screens will vary depending upon brand, user setup, and age. Because of these variables, the screens can be misleading. The ideal solution is to have your monitor calibrated to follow color management standards. If interested, we can recommend solutions.

Currently, we have a 64” wide printer. There are a limited range of papers available for this maximum width. Please contact us for further details.

For prints up to 16 x 20, the standard turn time is two working days. For prints 16 x 20 or larger, a proof step is included in the process and price. The proof step standard turn time is two working days, then two days after approval for final print. Turn times may vary for large quantities.

We’re happy to include the advantage of a proof print on print orders 16 x 20 or larger. A proof consists of a small overall version and a test strip of the image at the final size on the final paper. This allows for a review of the image before printing the final.

Deckled edges are “torn” edges that result in a hand made look to the final print. We offer this on our fine art matte only. The price is determined by the final size.

Clients can provide paper as long as the paper is compatible with our printers. Most inkjet papers are ok. Other papers are determined case by case.

We do print on a limited number of fabrics and have samples to review. Most are special order so there are qualification in time and volume. Generally, pricing follows the fine art printing category.

We do offer printing on clear, milky and backlit film up to certain sizes. Pricing is the same as fine art printing.

We do offer wallpaper printing. We can print on traditional wallpaper as well as removable. This is a specialty product so please call for pricing and to discuss details.

24 hours is standard but many times quicker turn times can be accommodated.

For larger quantities discounts are available. Please contact us about your particular project.

By default, we will return the scan in Adobe98 RGB. Any other color space is available upon request.

Every effort is made to match the scan to the artwork. Because of differences in monitors and printers, final adjustments need to be made based on this.

Two days is normal but many times we can accommodate quicker times.

Yes, please inquire based on your particular project.

By default, we will return the scan in Adobe98 RGB. Any other color space is available upon request.

Every effort is made to match the scan to the artwork. Because of differences in monitors and printers, final adjustments need to be made based on this. We request a reference proof or file if available on color negatives. This allows us a starting point for color and contrast. If not available, we will use our best judgement.

Two working days.

Yes, please contact us for your particular project.

5 x 10 ft

Our professional photographer utilizes techniques in lighting along with a Betterlight digital back and processing software designed to product the highest level reproduction possible. Experience is vital in this process.

This is determined usually by the end use. We will scan according to what your end use.

By default, we will return the scan in Adobe98 RGB. Any other color space is available upon request.

Every effort is made to match the scan to the artwork. Because of differences in monitors and printers, final adjustments need to be made based on this. As a first time client, we provide a complimentary proof print to show you’re the results. Thereafter, proofs are available for for a fee.

3-5 working days.

Yes, please inquire about your specific project.

Photo Restoration is generally restoring of photo from defects and fading due to age. This requires reviewing and analyzing the project best suited to making an appointment.

Composition work is generally combining or creating effects in Photoshop to recompose a photo. This requires reviewing and analyzing the project best suited to making an appointment.

Prepress retouching is generally Photoshop work specifically for imagery going to press. Color matching and retouching work are many times part of this process as well as utilizing prepress proofing for confirmation. This requires reviewing and analyzing the project best suited to making an appointment.

We utilize a process called “cold press”. This involves using cold adhesives along with pressure to adhere the print or artwork to a substrate.

54” although there are limitations in materials and substrates.

A substrate is the material used underneath the print or artwork. Most of the times is this a rigid board.

A plex sandwich consists of a print sandwiched between clear plex on the front and dibond on the back . A reverse hanging cleat is included which results in the final print appearing to “float” off the wall. It’s a delicate process which requires special adhesives and skills. The result is a stunning display!

Sintra is a high density plastic that is smooth and weatherproof. Great for prints being framed. Available in either white or black and different thickness.

Dibond consists of a sintra sandwiched between to thin sheets of aluminum. This results in an extremely rigid yet lightweight substrate. It is great as all around material that is considered archival.

Gator Board is a lightweight and similar but much more rigid than fomecor.

Available in either white or black and different thickness.

Aluminum is the best in rigidity and durability. It is available in either square or rounded corners. Weight may be an issue on larger pieces.

No. We offer metallic paper mounted to aluminum as a solution.

Laminate is an extremely thin layer of protective coating which results in added durability. We use a luster finish which has very low glare. If a print is not being being protected by glass or plexiglass, we recommend this.

A reverse cleat is a hanging system that involved one cleat attached to the back of the board and a reverse cleat attached to the wall. The result is a simple yet sturdy hanging solution which also has the effect of the final print “floating” off the wall.

This an economical solution for hanging. It generally is a small single rectangle sintra block permanently attached to the back of the board with a single hole for use with a screw or nail.

A metal hanging clip is an economical small rectangle shaped piece of metal that attaches to a soft board like gatorboard. It then attaches to a wall screw on nail.

Rag board is heavyweight paper board that is lightweight and archival.

Our press is 54” wide. Limitations beyond this are in materials

Normal projects take 2-4 working days.